mix
Master EQ
Mix M2 is a three-band EQ on the master — low, mid, high — plus a blend that fades from flat to the set curve; clicking an encoder resets its band, and E4's click resets the whole EQ.
The blend control is the trick: set low, mid and high to an extreme curve — lows cut away for a breakdown, say — keep blend at zero, and bring it up when the moment comes. At low blend values the EQ stays neutral whatever the bands say, which makes sweeps quick and repeatable on stage.
How to
Open the master EQ
- 1
Flatten the EQ
before you start mix mode · M2
- 1
Details
- TE’s guide
The EQ on mix shapes the whole mix, not individual tracks.
- TE’s guide
E1,E2andE3boost or cut the low, mid and high frequencies. - TE’s guide
E4fades between a flat response and the band settings: low values leave the mix neutral, high values apply the boosts and cuts in full. - TE’s guide
Clicking
E1,E2orE3resets that band; clickingE4resets every EQ value. - checked on a unit · 1.1.33
Over MIDI, CC90 moves the EQ bands, the channel choosing which — 1 low, 2 mid, 3 high.
- checked on a unit · 1.1.33
CC90 on channel 4 changed nothing visible on the EQ page, so no MIDI control for blend is confirmed.
- checked on a unit · 1.1.33
The EQ page pictures the three bands as groups of panels standing on an isometric grid floor, next to a slider track with an N at one end.
- checked on a unit · 1.1.33
Each band tilts its own group of panels, flat at the minimum and rising with the value to lean at about 60° at the maximum, never fully upright; in a new project all three bands sat at the middle value, 64.
- checked on a unit · 1.1.33
Turning
E4slides a knob along that track and reshapes the whole scene; as it travels, the low and high panels flatten and the mid panels stand up.
Parameters
| parameter | gesture | range | cc |
|---|---|---|---|
| low M2 | turn dark grey encoder | – | – |
| mid M2 | turn mid grey encoder | – | – |
| high M2 | turn light grey encoder | – | – |
| blend M2 | turn white encoder | – | – |
| reset all M2 | click white encoder | – | – |