op-xy agent

instrument

Filter (M3)

is the track's filter: cutoff, resonance, filter-envelope amount and key tracking. picks one of four types — ladder, svf, z hipass or z lowpass — and then returns to .

The filter is a track's main tone control. Lower the cutoff to darken a sound, add resonance for a sharper edge, and raise envelope amount so the filter envelope sweeps the cutoff on every note — the classic plucky bass. The shift layer of this page holds the track's sends, not filter settings.

How to

Change the filter type of the selected track

before you start instrument mode · the track is selected

  1. 1 opens the filter types

Details

  • The filter takes away part of the frequency range and can emphasise the frequencies around its cutoff.

    TE’s guide
  • opens the choice of filter types, each with its own character.

    TE’s guide
  • The type list, headed with the track number and the word filter, offers ladder, svf, z hipass and z lowpass, the current one boxed.

    checked on a unit · 1.1.33
  • Picking a type takes you back to the engine page (); then shows the new type.

    checked on a unit · 1.1.33
  • Presets also store whether the filter is switched on at all.

    community
  • With the filter off, the page is dimmed under an off box; pressing again switches the filter on.

    checked on a unit · 1.1.33
  • The page draws the filter's curve over tinted bands, with the type name at the top left, a frequency axis marked 50, 1k, 2k, 5k and 20kHz, and a small black box on the curve that shows the resonance, 00–99, rising as resonance goes up.

    checked on a unit · 1.1.33
  • Cutoff slides the curve's slope along the axis, key tracking moves an arrow along the bottom from left to right, and any envelope amount above 0 adds a hatched ghost of the curve to its right; z hipass mirrors the drawing.

    checked on a unit · 1.1.33
  • Envelope amount runs from none at 0 to full at 99; there is no negative setting that would sweep the cutoff down.

    checked on a unit · 1.1.33
  • Over MIDI, CC32–35 on the track's channel move cutoff, resonance, envelope amount and key tracking, and the page redraws as they arrive.

    checked on a unit · 1.1.33
  • No MIDI CC is known for the filter type.

    community
  • Ladder and svf are 24 dB lowpasses modelled on analog circuits: the ladder four stages with feedback, the bass thinning as resonance rises; the svf two state-variable stages with a soft knee at resonance 0. z lowpass and z hipass are single two-pole digital filters, very gentle at resonance 0; the z lowpass rises to a whistling, nearly self-oscillating peak while the z hipass only reaches a mild one.

    checked on a unit · 1.1.33
  • Cutoff spans from about 25 Hz to past 20 kHz; at the same setting the z hipass sits an octave below the z lowpass, and the svf a little above the ladder.

    checked on a unit · 1.1.33
  • On the svf, raising resonance also lowers the peak by up to about half an octave and takes away up to 9 dB of level.

    checked on a unit · 1.1.33
  • Key tracking pivots on C2: at 0 the cutoff ignores the note, at the middle it follows half an octave per octave, at the top an octave per octave.

    checked on a unit · 1.1.33
  • At the envelope's peak, envelope amount opens the cutoff by about 0.85 of its own steps on the cutoff's scale, so a full amount from a closed filter opens it almost all the way.

    checked on a unit · 1.1.33

Parameters

parametergesturerangecc
cutoff M3turn dark grey encoder–32
resonance M3turn mid grey encoder–33
envelope amount M3turn light grey encoder–34
key tracking M3turn white encoder–35

Our wording, for OS 1.1.33. TE’s page source

no device
os –
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