op-xy agent

auxiliary

Punch-in FX

The punch-in FX track () turns the keyboard into 24 momentary effects — lower octave for percussion tracks, upper for melodic ones; fires them from any instrument track.

Punch-in FX are for performing: hold a key for a moment of change, let go and the track snaps back. Recorded passes live on their own track, so they can be edited without touching the parts below.

From F to E, each octave runs: mute, stutter, repeat two steps, pan, repeat three steps, octave, follow, a fill (drums) or rising ramp (melodic), short, a hi-hat groove (drums) or falling ramp (melodic), soft attack and random. The rhythmic ones follow the project tempo.

How to

Record punch-in FX from an instrument track

before you start instrument mode

  1. 1 start a live recording
  2. 2

Details

  • On each of the 24 keys is a different effect that lasts while held; held keys combine.

    TE’s guide
  • The lower octave acts on the percussion tracks, the upper octave on the melodic tracks.

    TE’s guide
  • Some effects also respond to moving the unit (gyroscope) or to the pitchbend strip.

    TE’s guide
  • On an instrument track, plays punch-in FX; the lower octave affects only that track, the upper octave its whole group.

    TE’s guide
  • Shortcut effects played while recording are written to the punch-in FX track.

    TE’s guide
  • Percussive engines such as the drum sampler form the percussion group; synth engines and the synth sampler the melodic group.

    TE’s guide
  • When effects conflict, the mute effect takes priority.

    TE’s changelog
  • OS 1.0.32 stopped from triggering punch-in FX while external MIDI is in use.

    TE’s changelog
  • Over MIDI, notes 53–76 on channel 10 fire the 24 effects as if the keys were held, with the track showing each animation.

    checked on a unit · 1.1.33
  • Both octaves hold the same twelve effects in the same order, F to E — mute, stutter, repeat two steps, pan, repeat three steps, octave, follow, fill or ramp up, short, hat fill or ramp down, soft attack, random. Each takes a shape suited to the group it acts on. TE has not named them; these names are descriptive.

    checked on a unit · 1.1.33
  • F (either octave) silences its group for as long as it is held.

    checked on a unit · 1.1.33
  • F♯ stutters in time with the project's sixteenths — melodic tracks jump back to the start of each sixteenth several times and drop out for its last part; drums let only the first few tens of milliseconds of each sixteenth through, in mono.

    checked on a unit · 1.1.33
  • A replays three sixteenths over and over, and G (on melodic tracks) two; the pattern keeps running underneath and carries on in place on release.

    checked on a unit · 1.1.33
  • G on the drums presumably loops two sixteenths as it does on melodic tracks; the recordings did not show it.

    worked out
  • G♯ moves the sound across the stereo field — each drum hit lands left or right by its place in the bar, and melodic tracks swing to one side.

    checked on a unit · 1.1.33
  • A♯ drops melodic tracks' sequenced notes an octave.

    checked on a unit · 1.1.33
  • On the drums, A♯ presumably raises the sequenced hits an octave.

    worked out
  • B makes the other tracks of the group play the sequenced notes too, each with its own sound.

    worked out
  • On the drums, C adds a kick and snare fill and D a hi-hat groove (closed on every sixteenth, open on the off-beat eighths), both on top of the pattern.

    checked on a unit · 1.1.33
  • On melodic tracks, C makes each step's notes climb higher, gliding between them.

    checked on a unit · 1.1.33
  • On melodic tracks, D makes each step's notes fall lower, gliding between them.

    worked out
  • C♯ cuts every note or hit to a blip of about 25 ms.

    checked on a unit · 1.1.33
  • D♯ softens attacks — drum hits fade in and synth notes swell in.

    checked on a unit · 1.1.33
  • E randomises — drum steps play random keys of the kit and melodic notes leap by random intervals.

    worked out
  • On the drums, the repeats, octave, follow and random rework the sequencer's own pattern and leave hits arriving over MIDI untouched, while mute, stutter, pan, short and soft change every hit and the fills add hits of their own.

    checked on a unit · 1.1.33
  • On each of the 24 keys plays its own animation on the screen — planets, a digit clock, noise, hands, waves, sweeping lines and bars, and more.

    checked on a unit · 1.1.33
  • With no effect held, the page shows a single dot tracing a heartbeat line across the dot grid, about every three seconds; it starts again from the left edge each time an effect ends.

    checked on a unit · 1.1.33

Our wording, for OS 1.1.33. TE’s page source

no device
os –
view simulated