A mathematician named Klein
Thought the Möbius band was divine.
Said he: ‘If you glue
The edges of two,
You’ll get a weird bottle like mine.’
In the arcade game Asteroids, a little spaceship flies off the right-hand edge of the screen and reappears on the left; it leaves through the top and comes back through the bottom. The game never says so, but the ship lives on a doughnut. What put it there is gluing: declaring that certain points are to be regarded as the same. Take a single square, decide which edges to glue and which way round, and out come a cylinder, a Möbius band, a torus, a sphere, a Klein bottle and a projective plane. Two of them refuse to be built in our three-dimensional world without passing through themselves.
Gluing is the topological version of an idea you have met before. In §1.2 Equivalence and Quotients we glued the two ends of an interval together — as a set — by declaring and called the result a circle. Now that we know what a topological space is (§2.1 Spaces and Continuity), we can finish the job: give the glued set a topology, so that it really is a circle, and then do the same in two dimensions, where far stranger things can happen.
A screen that wraps around
Fly the ship in Figure 2.2.1 (it will fly itself until you take the controls). Leave through the right edge and you reappear on the left, at the same height. Leave through the top and you come back through the bottom, at the same distance from the left. As far as the pilot is concerned, there are no edges at all. The universe is finite — its whole area is one screen — yet it has no boundary anywhere: wherever the ship is, space continues in every direction.
Edges crossed: 0
The ship is the right way round.
What shape is this universe? Picture the screen as a sheet of rubber. Gluing the top edge to the bottom edge rolls the sheet into a tube. Gluing the left edge to the right edge then bends the tube round until its two end circles meet. The result is the surface of a doughnut, the torus. The ship’s straight flight paths become loops wound around the doughnut.
There is another way to see the same thing, and the neighbouring copies in the figure show it. Instead of gluing, imagine the square repeated in every direction, like tiles on a floor, with a copy of the ship in every tile. Looking right, the pilot sees the back of their own ship one tile away. This tiled picture is often the easiest way to think about straight lines on a torus, and it is how a flat torus appears from the inside.
The other two modes of the game change the gluing instructions slightly — crossing certain edges now flips you over. We will come back to them once we have the language to say what is going on.
Gluing, made precise: the quotient topology
Half of the work is already done: §1.2 Equivalence and Quotients glued sets, and we only need to remember how. To glue, we choose an equivalence relation on a space means “ and are to become the same point”. The glued set is the quotient set whose elements are the equivalence classes (read “the class of the pile of all points glued to And there is the projection
which sends every point to its pile ( for “quotient”). Gluing the ends of the interval means declaring and nothing else. Then the class has two points, every other class has just one, and is a set that should be a circle.
But a set is not yet a space. Which subsets of should be open? There is a natural answer: look back at what the set was before the glue was applied.
In words: a set of glued points is open if, before the gluing, the same points formed an open set. The preimage does the looking back, exactly as in the definition of continuity — another reversed arrow. Figure 2.2.2 shows the rule at work on the interval; Munkres (2000, §22) develops the whole theory, with every proof.
Two facts make the quotient topology the right one.
Continuity of is immediate: preimages of open sets are open by definition. And we could not declare any more sets open without some preimage failing to be open. Gluing should be continuous — continuous maps are allowed to glue, as we saw in §2.1 Spaces and Continuity — but beyond that, the glued space should have as many open sets as possible, so that it does not get blurrier than it needs to be.
This is the topological version of the “well-defined” principle from §1.2 Equivalence and Quotients: a continuous function on a glued space is the same thing as a continuous function on the original space that gives glued points the same value. Functions that respect the glue pass through it unharmed.
The quotient is compact (a continuous image of the compact interval, via and the circle is Hausdorff (it is a metric space), so is a homeomorphism: The same theorem, applied again and again, tells us that the surfaces we glue in this chapter really are the surfaces we draw. The failure in Figure 2.1.6 came from the half-open interval which is not compact.
Glue spreads
In practice we rarely list the whole equivalence relation. We give a few gluing instructions — “glue this edge to that edge” — and let them generate the rest, exactly as in §1.2 Equivalence and Quotients: the equivalence relation generated by some pairs is the smallest one containing them. The important consequence is that glue spreads by transitivity. If is glued to and is glued to then is glued to even though no instruction mentioned them together. This is why, when we glue the edges of a square in a moment, the corners can end up glued in surprising ways.
Gluing diagrams: a square with arrows
A gluing diagram is a polygon whose edges carry letters and arrows. The rule is simple: edges with the same letter are glued, matching the arrows — tail to tail, head to head — so that a point a quarter of the way along one arrow is glued to the point a quarter of the way along the other. Edges without a letter are left free; they will form the boundary of the surface.
Here is the torus. Its bottom and top edges, both called point to the right; its left and right edges, both called point up.
Two pieces of notation make diagrams easy to talk about. First, the edge word: start at the bottom-left corner and walk once around the square anticlockwise. Write down each letter you pass, as if you walk along its arrow and as (“ inverse”) if you walk against it. For the torus: along the bottom (with the arrow), up the right side (with the arrow), back along the top (against it), down the left side (against it). The torus is The word records the whole diagram in one line.
Second, the corners. Gluing edges glues their end points, so corners get glued too — and glue spreads. In the torus, the bottom-left corner is the tail of the bottom so it is glued to the tail of the top the top-left corner. Both are also ends of the edges… follow the arrows and you will find that all four corners become a single point. Counting these corner classes will matter a great deal later, when we compute the Euler characteristic and homology.
The gluing workshop
Figure 2.2.4 is the heart of this chapter. Pick a gluing; the square on the left shows the diagram, its equivalence relation, its word and its corner classes. On the right, a rubber sheet with the same grid and the same coloured edges bends — never tearing — into the glued surface. Watch for the moment when edges of the same colour meet: their chevrons line up, because the arrows match.
- Rule
- Word
- Corners
- 1 point
- In 3D?
- fits without crossing itself
One pair of edges: the cylinder and the Möbius band
Glue just the left and right edges, straight across: The square rolls into a cylinder (the product of §2.1 Spaces and Continuity). The top and bottom edges stay free and become two boundary circles.
Now glue them with a twist: so the arrow on the right points down. To match the arrows, the sheet must turn over before its ends meet — try it with a strip of paper, giving one end half a turn before taping. The result is the Möbius band. Watch the free edges: the top edge runs into the bottom edge, and the two together form a single boundary circle. A Möbius band has one edge — and, if you run a finger along its surface, only one side. (One-sidedness has an intrinsic cousin, non-orientability, which a creature living inside the band could detect without ever leaving it; it is studied properly in §2.4 Manifolds and Surfaces.)
The corners show the difference too. Both surfaces have two corner classes, but paired differently: in the cylinder the two bottom corners are glued to each other, and so are the two top corners; in the Möbius band each bottom corner is glued to the top corner diagonally opposite.
In the workshop the sheet stretches as it rolls. Topology does not mind: in the words of Poincaré quoted at the start of §0.1 The Shape of a Question, “the proportions may be grossly altered”. Real paper does mind. You cannot make a Möbius band from a square of paper without crumpling it; the strip must be long and narrow. How long it must be was an open question for almost fifty years.
Both pairs: the torus and the Klein bottle
Gluing both pairs straight across gives the torus roll the square into a tube (gluing the edges), then bend the tube round (gluing the end circles In the finished doughnut the gold edge has become a loop around the tube and the teal edge a loop around the hole, crossing at the single corner point.
Now reverse just one arrow: let the top edge point left. The rule becomes together with and the word becomes This is the Klein bottle Roll the square into a tube as before. Now the two end circles must be glued, but with their directions reversed. Bending the tube round as for the torus would match them the wrong way. The only way to make the arrows agree is to bring one end inside the tube and meet the other end from within — and in our three-dimensional space, getting inside means passing through the tube’s own wall. The finished picture is the familiar bottle: stood upright, its narrow neck curls over and dips through the side wall, then opens out to join the base from inside. In the workshop, the rose circle is where the neck passes through.
Go back to Figure 2.2.1 and switch to Klein bottle mode. Fly through the top edge: you come back through the bottom, but mirror-reversed — the rose stripe that was on your left wing is now on your right. The space itself has turned you over. Fly through the top edge again and you are restored. All four corners of the Klein bottle square are glued to one point, just as for the torus.
Neighbouring edges: the sphere
A gluing diagram may also glue edges that meet at a corner. Glue the bottom edge to the left edge, and the top edge to the right edge, as in the envelope-shaped word and Fold the square along the diagonal from its bottom-left to its top-right corner: the two triangles lie on top of each other, the bottom edge on the left edge and the right edge on the top. Zip the matching edges together and inflate, and you get a sphere with the zip running from pole to pole. This time the corners form three classes: the two corners on the fold stay separate (they become the poles), while the other two are glued together, halfway along the zip.
The same idea works with fewer edges. A polygon with only two edges, and then — picture a coin purse, or a lens shape whose two curved edges are zipped together — is also a sphere. Its word is
Twisting both pairs: the projective plane
Finally, reverse both: and with word Notice what these rules do: every point of the boundary is glued to the point diametrically opposite it, through the centre of the square. Round the square off into a disk and the description shrinks to a single line: a disk with each point of its rim glued to the opposite point of the rim. This is the real projective plane Its corners form two classes.
The projective plane has another life, which explains its name. Every line through the centre of a ball pierces the ball’s surface in two opposite points. So the set of lines through a point of space is the sphere with opposite points glued. Most lines are already accounted for by the upper half of the sphere, which they pierce exactly once; only the horizontal lines, which pierce the equator twice, still need their two points glued. That is our disk with opposite rim points glued.
The same space turns up in perspective drawing, where parallel railway lines meet at a vanishing point on the horizon. Give the plane one such “point at infinity” for every direction, and squash the whole plane into an open disk, so that the points at infinity form its rim. A line runs off to infinity in two opposite directions, yet it has only one vanishing point — so opposite rim points must be glued, and the result is once more.
In the workshop, the disk grows into a famous surface called Boy’s surface. It crosses itself along three rose loops, which meet at a single triple point where three sheets pass through each other. Fly in projective-plane mode in Figure 2.2.1: every edge you cross flips you over.
| Surface | Rule | Word | Corners | In 3D |
|---|---|---|---|---|
| Cylinder | — | 2 | yes | |
| Möbius band | — | 2 | yes | |
| Torus | straight, straight | 1 | yes | |
| Klein bottle | flip, straight | 1 | no | |
| Sphere | neighbours | 3 | yes | |
| Projective plane | flip, flip | 2 | no |
Why the Klein bottle will not fit in our space
The torus sits comfortably in ordinary space; the Klein bottle and the projective plane do not. Every picture of them crosses itself somewhere. Is that our fault, for not being clever enough, or is it a fact about the surfaces? To answer, we need two words for “putting a space into another space”.
The pictures in the workshop are immersions. Each little patch of the Klein bottle looks just like a patch of a smooth surface, but the neck passes through the wall. The crossing is a defect of the picture, not of the surface: an ant living on the Klein bottle would never notice it, any more than the pilot in the game notices an edge.
We will not prove the first statement here, but here is the idea. A closed surface sitting in without crossing itself always divides space into an inside and an outside. (This is the Jordan–Brouwer separation theorem, a three-dimensional relative of the fact that a loop drawn in the plane without crossing itself has an inside and an outside.) A surface with an inside and an outside has two sides: you could paint the inside red and the outside blue. But the Klein bottle and the projective plane contain Möbius bands — look at the vertical strip in the middle of the Klein bottle’s square, glued with a flip — so they have only one side, and cannot have an inside and an outside. The full proof, when it comes, is startlingly algebraic: the in the Klein bottle’s homology, promised above, is exactly what forbids it a place in ordinary space (Hatcher 2002, Cor. 3.46).
The second statement has a lovely picture. A fourth dimension means a fourth number attached to every point. Show it as a colour. In Figure 2.2.5, turn on the colour for one of the Klein bottles: at the rose curve, the two sheets that cross have different colours. In four dimensions they are at different “heights” and do not meet at all, just as a bridge does not meet the road it crosses, although on a map the two lines intersect.
Wedges, cones, suspensions and collapsing
Squares are not the only things we can glue. Four other gluings come up so often in topology that they have names, and each answers a plain request: join two spaces at a point; crush part of a space to a point; cap a cylinder at one end; cap it at both. First, a way to put two spaces side by side.
The wedge of two circles, is the figure eight: two loops sharing one point. It is not homeomorphic to a circle — removing the shared point leaves two pieces, while removing any point of a circle leaves one (a cut point argument from §2.1 Spaces and Continuity). The wedge is a balloon with a loop of string attached at one point.
The most important example: take a disk and collapse its boundary circle, written (the symbol “boundary”, will become one of the heroes of this book). Picture a cloth bag with a drawstring around its rim: pull the string tight, so the whole rim shrinks to a point, and the bag closes up into a ball. So
The same is true in every dimension, with the solid ball and the sphere bounding a ball in one dimension higher: Collapsing the rim of a segment (its two end points) gives a circle, the case — our very first gluing. Figure 2.2.6 shows the disk and four more collapses.
The cone on a circle is an ice-cream cone, which is homeomorphic to a disk: The suspension of a circle is a double cone, which is homeomorphic to a sphere: The suspension of two points — two segments with their tops glued and their bottoms glued — is a circle. In general suspension climbs up the dimensions. Every cone, on the other hand, can be squashed down to its tip, a fact we will make precise in §2.3 Homotopy. As Allen Hatcher remarks, “Suspension becomes increasingly important the farther one goes into algebraic topology, though why this should be so is certainly not evident in advance” (Hatcher 2002, p. 9).
Every closed surface from a single polygon
A square with four edges gave us the torus, a doughnut with one hole. What about a doughnut with two holes — the surface of a pretzel? Take an octagon and label its eight edges, going anticlockwise,
The word is two copies of the torus word, one after the other. Figure 2.2.8 shows why the result has two holes. Cut the octagon along a diagonal that separates the first four edges from the last four. Each half is a pentagon with word or a torus diagram with an extra free edge. Gluing its and edges gives a torus with a hole cut out, the hole’s rim being Glue the two holes together along undoing the cut, and you have a surface with two handles: the genus-two surface
The pattern continues. A polygon with edges labelled glues up into the surface with handles — a doughnut with holes (Hatcher 2002, p. 5). The number is called the genus. Following the arrows shows that all corners become a single point, so counting corners minus edges plus faces gives
For the sphere ( that is for the torus for the pretzel Words in which a letter appears twice the same way round give one-sided surfaces: (a lens whose two curved edges are glued with a twist, another picture of or which turns out to be another picture of the Klein bottle (Hatcher 2002, pp. 51–52). A famous theorem, the classification of surfaces, says that every connected closed surface is homeomorphic to exactly one of these: a sphere, a surface with handles, or a one-sided surface built from projective planes. We will meet it properly in §2.4 Manifolds and Surfaces. For now, savour the fact that a single word written around a single polygon is enough to describe any of them.
Exercises
Summary
Further reading
- Free apps with nine familiar games — chess, mazes, jigsaws, tic-tac-toe — played on a torus or a Klein bottle. The fastest way to get the feel of a glued square in your fingers; our flight game is a small homage.
- The Shape of Space — Jeffrey R. WeeksA wonderful, gently paced book (3rd ed., CRC Press, 2020) about two- and three-dimensional universes built by gluing, with exercises and many pictures. Written for curious beginners.
- An animated lesson in which a torus and a Möbius strip appear, by cutting and gluing, as spaces of pairs of points on a loop — and then solve a geometry puzzle about rectangles. No prerequisites.
- The standard graduate text. Its opening chapter covers quotient spaces, cell complexes, cones, suspensions, wedge sums and the polygon pictures of surfaces — everything in this chapter, at a brisker pace.
- Topology (2nd edition), §22 — James R. MunkresA careful treatment of the quotient topology, with the precise statements behind our “look back before the glue” rule. For when you want every proof.
- Cliff Stoll, who makes Klein bottles out of glass, shows real ones and talks about what makes them strange. Short and light-hearted: a good antidote to all the formulas.
- Good pictures of several immersions of the Klein bottle, its parametrizations, and its four-dimensional embedding. Its sister article on Boy’s surface does the same for the projective plane.